Galerie

Abandoned Conservatory

Arri Alexa 35 with Master Anamorphic 50mm T1.9: Interior of decrepit conservatory at blue hour, broken glass roof panels missing, wild vines reclaiming the space, hundreds of white moths have gathered and cover every surface—walls, remaining glass, hanging plants—creating undulating living wallpaper. One work table in mid-ground still has scattered tools and open journals getting damp from evening dew, small lantern provides warm practical light. Anamorphic flares from lantern, deep teal and amber color palette, fog rolling in through broken panels.

Magazine in Water

Open magazine partially submerged in clear water with sunlight reflections, floating slightly below the surface, creating a serene and artistic scene with visible jewelry images.

Animatronic Installation

Film still of a animatronic installation as taken from a David Lynch movie. Mysterious and eery atmosphere that feels off and uncanny.

Reflection in Water

Long lens from low position, camera almost touching still water surface in dark room containing several sculptures and easels. Frame is split naturally—bottom half is the perfect mirror reflection, top half is the actual scene, but you can't immediately tell which is which. A single light source in the distance (possibly window or doorway). Compressed perspective makes near and far feel wrong. Cool monochromatic blue-grey grade. Photo shot as if taken with an Arri Alexa Mini LF with Signature Prime 125mm T2.8

Beach Fisheye Shot

Circular fisheye 8mm, positioned at wet sand/water interface: Lens nearly touching the sand where retreating waves leave glossy surface. The curved horizon shows incoming wave or distant water meeting sky. The wet sand's reflective quality mirrors the sky, creating spatial confusion. Shot during blue hour when sky and water share similar tonality. The fisheye makes the beach curve like a miniature planet.

Cave Water Droplet

Panavision DXL2 with Ultra Panavision glass 65mm: A water droplet faling from the top of a cave through a shaft of volumetric light in a cave opening, the droplet positioned where it catches maximum luminosity, glowing from within. Behind it, the cave mouth frames a view of misty mountains at dawn, blue atmospheric layers receding into distance. The cave interior is almost black except for this single light beam. Dust particles and moisture in the air make the light shaft visible. Shot from inside the cave looking out, the droplet suspended in the light column. Cinematic wide aspect ratio, warm key light, cool ambient, high production value atmospheric effects.

Geode Cave Interior

ARRI Alexa 35 with Signature Prime 65mm: Interior of a geode cave where massive quartz crystals catch filtered light from an unseen opening, creating prismatic refractions across the crystalline walls. Deep shadows preserve the cave's mystery while sharp highlights reveal the geometric precision of mineral formations. Anamorphic framing, crushed blacks with luminous detail retention.

Dandelion Seeds Dispersing

Sony Venice 2 with Cooke Anamorphic/i 65mm Macro: Extreme close-up of a dandelion seed head against black void, backlit so each seed glows like a small star, captured at the moment a wind gust hits—seeds just beginning to separate from the head, some already airborne, some still attached, creating a constellation of floating points of light extending into darkness. Shot with high-speed camera at 1000fps, motion frozen showing the dispersal pattern. The seed head itself is in perfect focus, the departing seeds trailing into bokeh. Silver-white seeds against pure black, single warm backlight creating rim lighting on each filament. Anamorphic oval bokeh for departing seeds.

Ball Bearings in Mercury

Canon EOS R5 with 100mm macro: A collection of steel ball bearings perpetually circling in a shallow dish of mercury, captured with high-speed flash freezing their orbital paths, creating corona patterns in the liquid metal surface. Multiple exposure composite showing motion trails as ghost images. Shot from directly above, harsh overhead lighting creating high contrast reflections. Clean white background visible through clear glass dish, precise focus on leading sphere with trailing blur.

Mineral Column Abyss

RED Komodo 6K with Laowa 24mm Probe: Looking down into deep cylindrical chamber carved through layers of different colored mineral deposits—rose quartz, jade, obsidian, amber—each layer perfectly stratified, with single beam of daylight penetrating from far above, illuminating suspended dust particles and creating god rays through the geological column. Camera positioned looking straight down into the abyss, extreme depth, edges fading to black.

Astronaut Watching Starbirth

cinematic shot of an astronaut watching the creation of a star. Shot in the style of Denis Villeneuve with wide camera lens, hyper-realistic, raw cinematic shot, medium high angle shot. Smoky and misty. particles flying.

Submerged Magazine

Leica SL3 with 90mm APO: Open magazine submerged in clear water with sunlight reflections, floating slightly below the surface, creating a serene and artistic scene with visible jewelry images. Pages are wet from the water starting to come apart. Hyper realistic

Futuristic Man in Fog

movie still, close-up, a man in a futuristic coat in an orange sand patch, minimalist, hazy, foggy, red and amber, low contrast, muted tones

Zen Garden Mercury Pool

Leica SL3 with 90mm APO: Zen garden with traditional rake patterns butspecific stones are surrounded by rippling mercury-like liquid, while crystalline structures grow only around these dynamic points. Close-up perspective, high key lighting, focus on texture contrast.

Abandoned Lot Void

photo of a person from the 70s, back to the camera standing in an abandoned parking lot, looking into a big black void which emits shiny fluorescent particles

Corn Field Encounter

A person, back to the camera is standing in a corn field. Glowing particles are being emitted from the ground. Dark and mysterious atmosphere.

Blue Sky

The image shows a blue sky with some clouds

Magazine Underwater

Leica SL3 with 90mm APO: Open magazine submerged in clear water with sunlight reflections, floating slightly below the surface, creating a serene and artistic scene with visible jewelry images. Pages are wet from the water starting to come apart. Hyper realistic

VHS Landscape Tape

an eery and mood still of a VHS tape of a landscape with a big lake. there are strong artifacts from the VHS tape visible. Everything is slightly distorted

VHS Tape Distortion

An eery and moody still frame of a VHS tape. there are strong artifacts from the VHS tape visible. Everything is slightly distorted.

Woman by Lake

A black and white photograph of a woman walking away from the viewer towards a lake, with distinctive leaves visible in the frame., bw-retro, high resolution

PERSON IN CORNFIELD

A person, back to the camera is standing in a corn field. Glowing particles are being emitted from the ground. Clashing, contrasting and bright colors.

Frozen Lake Pools

A perfectly still frozen lake with singular spots of water remaining liquid and rippling, featuring steam rising only from these dynamic pools. The scene is shot from above, bathed in morning light, highlighting extreme contrast between the textured ice and the fluid motion of the liquid areas.

Bicycle Retro Futurism

The image depicts a man on a bicycle looking at a large digital display, while a man in a suit stands nearby., full-ornate-retro-futurism, high resolution

Astronaut in Roses

cinematic shot of an astronaut lying in the middle of roses, shot in the style of Denis Villeneuve with wide camera lens, helmet is reflection the scene around it hyper-realistic, raw cinematic shot, medium high angle shot

VHS Tape in Grass

An eery and moody still frame of a VHS tape that shows an analog clock lying in the grass. lush colors. flowers. lense flare. there are strong artifacts from the VHS tape visible. Everything is slightly distorted

Old VHS Time Machine Footage

An eery and moody still frame of a VHS tape that shows underwater footage of a nautical time machine at the bottom of the ocean there are strong artifacts from the VHS tape visible. Everything is distorted. Fish eye lense. Dirt and gravel are floating